Practicing the unpredictable in concert. Attuning to the space of the venue, with its acoustic footprint as an ally. Preparing for the unexpected, for the accidental, without anything being prepared, without anything being sought. Accepting the traditional discourse of one’s instrument and the entire mass of “parasitic” sound events inherent to its making and its concrete dimensions. Coming into contact with all the forces that animate the moment of playing. Letting the unformulated formulate itself. Experiencing listening as an experience of sound and space shared by the audience and the musicians.
Open to all musicians and singers
